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White is the lightest family in the catalog, and the one where the smallest differences matter most. Pure white is a light source; an off-white with a trace of yellow reads as paper, one with a trace of blue reads as clinical, and one with the faintest red reads as warm linen. In practice most white in design is not white at all but a very pale tint, which is why this family is worth browsing as a set.
The swatches below are ordered from the lightest value down to the point where white begins to turn into cream and gray. Each is a named color with a hex value and RGB codes, useful for choosing a page background that will not fight the colors placed on top of it.
The differences here are small and consequential. A white with a trace of yellow reads as paper and warms everything placed on it; one with a trace of blue reads as clinical and cools the same colors; one with the faintest red reads as linen. Because a light stop sets the temperature of an entire palette, choosing it deliberately is more useful than reaching for the purest white available. The entries below run from that near-pure white into the creams and bone tones.